Reflections on the similar principles underlying T. Chamber's Essay

Reflections on the similar principles underlying T. Chambers masterpiece Hudson Highlands circa 1840 and Samuel Barbers organisation The Violin Concerto with gentle Accompaniment - Essay ExampleBoth works be masterpieces in their own right with similarities that are obvious even to a layman like me. Both are soft and mellow in their respective styles with slight variations in tempo and timbre. Both compositions are balanced in a gauzy manner with no sudden changes of form or loudness to jolt the eye and ear. In the characterization the emphasis is on the play of shadows like that of a Rembrant work while in the musical composition it is the accompanying flabby that lays the emphasis against the soft foreground sounds of the violin. The painting is well proportioned, the different constituents of the landscape amalgamate harmoniously in the composition, without one overcrowding the other. In the music also the play between the violin and piano and the variations of pitch and ti mbre are in proportion without downplaying the importance of either. The movement in the picture is depicted by the brush strokes of the road with softly curving stripes while the piano takes upon itself the task of movement, vary between slow and fast movements. Both the painting and the musical piece have slow and solemn rhythms with slight variations to relieve the monotony. No work of art is without repetition. WhileChambers does it with the drawing of trees and sails, Barber does it with the akin movements alternated with different tunes in between.